From my earlier blog on 24/12/19:

… and I really enoyed it!
I have a huge soft spot for early, post-WW2 SF, and this collection, chosen by Asimov, did not disappoint.
The book collects 12 stories from 1939 to 1972 that he considered to be good stories spanning three decades of writing: “… two early examples, two late samples, and eight from the gold decade (for me) of the Fifties.”
I loved his suggestion of an alternative title for the collection as “The Pretty Good and Pretty Representative Stories of Isaac Asimov” – he was a humble man, it seems.
The twelve stories are:
Marooned Off Vesta (1939),
Nightfall (1941) – his masterpiece,
C-Chute (1951),
The Martian Way (1952),
The Deep (1952),
The Fun They Had (1954),
The Last Question (1956),
The Dead Past (1956),
The Dying Night (1956),
Anniversary (1959),
The Billiard Ball (1967), and
Mirror-Image (1972)
‘Nightfall’ needs no introduction from me – it is one of the most singularly imaginative SF stories ever written. This story was read by Steve Ely for the One Hundredth edition of the ‘Escape Pod’ podcast – Steve (now Serah) gave it a respectful and energetic reading, which I recommend listening to.
I loved ‘The Billiard Ball’, which I am not going to spoiler zone here – it features a well thought out revenge-murder.
Mr Asimov’s personal favourite was ‘The Last Question’, but it seemed no better than the rest of the collection to me.
My personal favourite was ‘C-Chute’ – I loved the idea of a desperately homesick man going to extraordinary lengths in order to avoid becoming a prisoner of war. There is a also a pretty good audio performance of this story available from the “X-Minus One” radio shows.
One confusion I have is why Sphere decided to publish this 1973 UK version of the book with that terrible cover? It says nothing about the genre or overall themes of the stories – why would anyone have chosen that for an SF book?
Five years of Labour Party governance (Harold Wilson in ’74 – ’76, James Callaghan in ’76 – ’79) had brought the country to its knees. Callaghan had a tiny majority in Parliament and faced rampant Trade Union strikes that came to a head in the ‘Winter of Discontent’ (Winter ’78-’79) – I still remember eating cold food by candle light because of power cuts. Public employees were walking out leaving food and fuel undelivered, rubbish uncollected, and bodies unburied. No government that can’t feed its people or bury the dead can survive, and Callaghan was ousted by Margaret Thatcher’s Conservatives on 3rd May 1979.
Quatermass is a quintessential British scientist of the post-war era, smart but somewhat dour, somewhat ‘Establishment’ but out on the edge. In this final tale in the Quatermass quadrilogy, the Professor is searching for his grand-daughter, Hettie, across the ruins of the country. The UK, and the wider world at large, have slumped into social and economic collapse, and he sums it all up in a few sharp sentences during a TV interview at the start of the book:
The Planet People gather at historically symbolic meeting sites (mostly stone circles) in the belief that they are going to be ‘taken to the Planet’. Quatermass witnesses a group of Planet People being destroyed by a beam of light that turns them into a crystalline ash. He investigates what has happened with the help of other scientists and eventually discovers that the young people are being harvested by an alien force.
I first became aware of Michael Crichton’s story “The Andromeda Strain” through the 1971 film starring Arthur Hill, David Wayne, James Olsen and Kate Reid. Having seen the film, I wanted to read the book, and was not disappopinted with it! I’ve just read it again about thirty years later – it was still as engaging as I remembered.
Wildfire’s job is to examine the satellite in a secure bio-lab facility, classify how the deadly organism functions, and then find a cure for it. The facility reminded me of an underground Titan missile base. Once the team have travelled down to Level V, being increasingly decontaminated as they descend, they are essentially cut off from the surface with only computers and machines linking them to the outside world. Wildfire is clinical, clean, cold and dispassionate. The opinions of the computer programs come faster than the humans could form them and are unchallenged. The message is clear: technology can fix anything if the smartest people are using it.
Using a vast array of computer-driven tests, the team eventually discover the Andromeda organism. Andromeda seems to be able to directly convert energy into matter without the need for digestion or respiration. It has a crystal structure and grows without DNA, RNA or any amino acids. It has also evolved into a form that can destroy (digest?) plastic-rubber. Although not lethal in that form, it escapes from confinement and the nuclear fail-safe is activated. The team realise that if the bomb detonates the energy released will probably result in Andromeda taking over the Earth – the story ends with them trying to avert that crisis. which I am not going to spoil here!

I remember enjoying the film as more of a sci-fi adventure yarn than a horror movie – after ALIEN that was a surprise.
However, it’s a miracle that I ever picked this wonderful book up. What were Harper thinking when they published it in this cover? That image speaks to no genre, certainly not sci fi (in my opinion).
The RAF Museum near Watford, London, is an understated gem. Entrance is free (parking cost £5) but the range of aircraft on display is extraordinary!







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