James Phelan – “The Hunted”…

JamesPhelan~TheHunted~010718

Here’s my review of James Phelan’s “The Hunted” that I finished this afternoon…

This was the first ‘Jed Walker’, and indeed the first James Phelan book, that I’ve read. The book had a reasonable plot that took some time to unravel and the closing sequences in St Louis, Missouri, clipped past quickly enough to keep me reading to the end. The writing style is plain and simple. Unlike lesser authors in the genre, Phelan did not bog his story down by dwelling on dull descriptions of equipment or tactics.

The overall plot, involving the hushed-up discovery of weapons of mass destruction during the Iraq war, was believable and eventually well described.

When Phelan gets going his action sequences are fast and well-executed. For me, the plot progresses too slowly against his overt use of various ‘clocks’ to try and evoke a sense of urgency. The ticking clocks became too obvious while the characters seemed to move with too little urgency. Perhaps that was because I had not managed to get very involved with Jed Walker or the other leading characters, except for “Squeaker” who was drawn quite well.

On the front cover Lee Child is credited with saying that ‘Jed Walker is right there in Reacher’s rear-view mirror.’ I think that is an accurate assessment – it was a good story well executed, but Phelan seemed to still have some work to do before he could match Child’s storycraft skills. That’s not a huge critcism as Childs sets a high bar.

I’m looking forward to reading some more of Phelan’s books – I’m starting “The Spy” tomorrow and then have “Dark Heart” to follow. I’m looking forward to seeing how his writing develops across the novels.

“The Hunted” scores 3 / 5 on the ‘Cloak & Dagger’ scale.

== There’s more about my writing at russellweb.org.uk, @LeeJ_Russell on Twitter

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Evil Eye – A Lissa Blackwood Thriller

Had a lovely afternoon walking with my daughter and spent some time brainstorming a title for my current work in progress… and I’m pleased to say it now has one!

So… drumroll and fanfare please… the name of my next book will be…

Evil Eye – A Lissa Blackwood Thriller

soldiers~cropped2

I’m hoping to have the writing finished by Christmas. That will be later than I had originally hoped for but is probably realistic, given everything else that is going on.

Right then… back to the keyboard!

image: “#EB Photo January challenge” by Lee Roberts – from flickr.com (https://www.flickr.com/photos/flintman45/8398943723/   creative commons BY-SA 2.0)

Progress on writing “the BREXIT thriller”…

I really must find a title for my current project, a post-BREXIT espionage Thriller! That’s my goal this weekend… if I achieve nothing else, and I might not in the current UK heatwave, it would be great to get a title together for this story.

WriterHand2

Progress has been intermittent on this book. By Christmas I had 36k words down from a target of 120k. The writing was very sluggish in the first quarter of the year and by the end of March I only had 50k words written. The slow pace was mostly due to the effect of being worked hard in my day job (leaving me too tired to write on most days) and looking after an ill member of my family. April and May were better, with 21k words added and today the project stands at 72k words.

One of the benefits of planning the book so thoroughly is that I know I am on the homeward straight: just the climax and resolution to go, with a revised target of 100k words…

So then… headphones on… background tunes playing… manuscript loaded… let the writing begin!

… but not every “le Carré” is a good “le Carré”…

As much as I enjoyed le Carré stories I shared in my first post, I have to say that I have very mixed feelings about “The Night Manager”. It started well and I had high hopes that I was about to be entertained with a masterpiece of observational writing. I have stayed at many hotels over the years, often arriving late after a long journey. This description of a Night Manager really resonated with my experience of late night check-ins:

“Jonathan Pine… took up his position in the lobby as a prelude to extending his hotel’s welcome to a distinguished late arrival… His gaze as he watched the door was steady as a maksman’s. He wore a carnation. At night he always did… [his] Smile of Gracious Welcome that he had worked up during his years in the profession: a sympathetic smile but a prudently restrained one, for he had learned by experience that guests, particularly very rich ones, could be tetchy after a demanding journey, and the last thing they needed on arrival was a night manager grinning at them like a chimpanzee.”

I would definitely classify myself as a tetchy late night traveller and that exposition is spot on. The problem is that we learn all of this within the first six pages, and not a lot of action happens after that. On reflection, why did it even take le Carré six pages to give us that much?

I found the book to be ponderous with rare pieces of interesting character observation. In the end I didn’t care about Pine, his past and regrets, his mission, how bad ‘Roper’ was, or indeed anything else in the story. It was all too slow with too little happening.

I don’t often do this, but I eventually gave up halfway through “The Night Manager”, which for me only scores 0.5 / 5 on the ‘Cloak & Dagger’ scale.

== There’s more about my writing at russellweb.org.uk, @LeeJ_Russell on Twitter

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“Spies in DC, Information exchange” image by Lorie Shaull from flickr.com
Creative Commons CC BY-SA 2.0 license – see https://creativecommons.org/licenses/by-sa/2.0/
image URL: https://www.flickr.com/photos/number7cloud/11928350633/in/photolist-jb4V4P-jcFWpD-hjApBF-j7h1ti-jeDMSS-5nHVfr

Are “Ghost in the Shell” and “Ghost in the Shell: Stand Alone Complex” the perfect anime?

I’m not an expert on manga and anime, but there is something captivating about both of these stories. They are set in the fictional mid-21st Century Japanese city of Niihama, where a law enforcement agency called ‘Public Security Section 9’ are conducting counter-terrorism operations. So far, so normal, in our modern day world. But this future Japan has taken the use of technology to a whole new level, including the fusing of human consciousness into cyborg bodies. The manga/anime title is evocative in itself, drawing attention to what may be the transfer of a soul (‘ghost’) into a fully prosthetic body (the ‘shell’).

Ghost in the Shell

The stories revolve around Major Motoko Kusanagi, whose ghost was transferred into such a shell after a terrible childhood accident. She is not a machine, however, and the parts of ‘Ghost in the Shell’ I enjoy the most are where she is exploring what it means to be human, now that she is a cyborg. Remembering that opening back story about Motoko’s childhood accident throws light on the scene in the opening credits where, in her shell, her hand crushes a doll that she is tenderly trying to hold.

Ghost in the Shell2

There is one piece of music in the anime series that has stuck in my head like an earworm since the first time that I heard it. Be warned: once you’ve listened to “Inner Universe” (by Origa and Shanti Snyder) you’ll never be able to forget it… but who would want to?

Here’s a link to that music from the opening credits of “… Stand Alone Complex” – https://www.youtube.com/watch?v=ZHtR_yaJLsI

And another link, this time with the lyrics shown more clearly – https://www.youtube.com/watch?v=Nc9OLGco4hQ

Finally, a link to a more complete version of the song – https://www.youtube.com/watch?v=mH7xc76DBHM

 

And, if you wondered what was actually being sung:

Angeli i demoni kruzhili nado mnoj                          Angels and demons circle above my head

Rassekali ternii i mlechnye puti                                 cleaving through thorns and Milky Ways

Ne znaet schast’ya tol’ko tot                                       He who does not perceive his calling,

Kto ego zova ponyat ne smog                                    does not know true happiness…

 

Mana du vortes, Mana du vortes                              Watch in awe! Watch in awe!

Aeria gloris, Aeria gloris                                             Heavenly glory! Heavenly glory!

Mana du vortes, Mana du vortes                              Watch in awe! Watch in awe!

Aeria gloris, Aeria gloris                                             Heavenly glory! Heavenly glory!

 

I am calling, calling now                                            I am calling, calling now

Spirits rise and falling                                                Spirits rise and falling

S toboi ostatsa dol’she                                                 To remain myself longer…

Calling, calling, in the depth of longing                   Calling, calling, in the depth of longing

S toboi ostat’sya dol’she                                              To remain myself longer…

Mana du vortes, Mana du vortes                              Watch in awe! Watch in awe!

Aeria gloris, aeria gloris                                             Heavenly glory! Heavenly glory!

Mana du vortes, Mana du vortes                              Watch in awe! Watch in awe!

Aeria gloris, aeria gloris                                              Heavenly glory! Heavenly glory!

The best place to begin? John le Carré…

There was a singular character that sucked me back into Thrillers when I started reading them in earnest last year… George Smiley, created by John le Carré.  Smiley is an odd character; to me he didn’t feel directly prominent but there was something about him that stuck in the back of mind, like he was watching me reading in the same way that he fictionally watched both Agents and the Establishment.

leCarre~crop

My first introduction to le Carré was through audiobook versions of ‘The Looking Glass War’, ‘A Murder of Quality’ and ‘The Spy Who Came in from the Cold’. There is a combination of almost fatalistic, realistic cynicism in the stories that comes from both le Carré’s unique voice and the ever-present tensions of the Cold War. Each story lifts a fictional lid on what feels like cold, murky, secrets from the world of espionage. We know le Carré’s background and wonder if he is telling us a truth… if it is REALLY like that, something that most of us will never directly know the truth about. Interestingly, in his stories ‘the truth’ itself is fluid, and none of the characters seem to know the ‘real truth’ about what is happening.

LookingGlass

In ‘The Looking Glass War’ we are allowed to see the interplay of organisational rivalries between Smiley’s ‘Circus’ and Leclerc’s ‘The Department’. Leclerc’s organisation is waning and he wants it to regain its position in the Inelligence world. He arranges a secret mission to spy on a missile base in Eastern Germany, reactivating one of ‘The Department’s’ old wartime agents, Fred Leiser, for the mission. Leiser is poorly prepared and ill-equipped for the mission. He kills a guard when crossing the border and that death really shakes him. A German girl hides him in her hotel room, hoping he will take her back to the West. But Leiser makes mistakes with his radio procedure and forgets to change frequencies, allowing the East Germans to trace his transmissions. ‘The Circus’ then become fully aware of Leiser’s mission and Smiley persuades Leclerc to abandon him, saying that they can deny his role as a spy by highlighting his obsolete equipment and poor technique. The whole mission is a failure, Leiser is expendable and the existence of the missile base itself turns out to have probably been a lie from an unreliable source.

MurderOfQuality

‘A Murder of Quality’ is more of a study of class differences in the early 1960’s. Smiley, who has now retired, is contacted by a old wartime colleague, Ailsa Brimley. She has received a letter from Stella Rode, a reader of the small Christian magazine that she edits, saying that her husband is plotting to kill her. Smiley agrees to investigate the claim but Stella Rode is killed before he can take action. Smiley then moves through the tensions in Carne between “town and gown” (a rich field that Colin Dexter made great use of in his ‘Inspector Morse’ stories), and the religious divisions between Church of England adherents and non-conformists. His investigation slowly reveals a hidden side of Carne life that is full of illicit sexual activity, blackmail and other abuses before he eventually ‘solves the case’. This story felt like an interesting side-show holiday for Smiley.

SpyWhoCameIn

I think that le Carré is best known today for ‘Tinker Tailor Soldier Spy’ (1974), but it is his 1963 novel ‘The Spy Who Came in from the Cold’ that resonates most strongly with me. I have very strong memories of the closing days of the Cold War which often resonate in my own writing. Films like ‘When the Wind Blows’, ‘The Day After’ and ‘Threads’ had shown just how devastating a nuclear war would be. I remember news reports of US Cruise Missile launchers prowling the UK countryside on manoeuvres, practicing for the day that they might need to rain nuclear hell on the USSR. For a teenager growing up in those days, reports about anti-nuclear protests by CND, the Falklands War, the Reagan Administration’s ‘Star Wars project’ (ie SDI) , social uprisings in Eastern Europe, the eventual fall of the Berlin Wall and German reunification made ‘The World’ seem like a very dangerous place… it was, and it still is.

‘The Spy Who Came in from the Cold’ is a delicious trip into that Cold War paranoia. When the West Berlin office of the Circus loses its last Agent in East Germany, the Station Head, Alec Leamas, is recalled to London. Leamas is persuaded by the Circus chief, known as ‘Control,’ to take on one last operational mission. He is to fake his defection to an East German intelligence officer called Mundt, so that he can eventually frame Mundt as being a double agent for Britain. The framing is indirect and Leamas will have to manipulate one of Mundt’s subordinates called Fiedler, who already suspects that Mundt is a double agent.

SpyWhoCameIn~novelCover

To come the East Germans’ attention as a potential defector, Leamas is sacked from the Circus and sinks into a degrading, alcoholic life, taking a member of the Communist Party of Great Britain as his lover. Leamas is, of course, eventually recruited as a defector and taken to East Germany. He drip feeds a story about payments to a double agent in the Abteilung and eventually meets Fiedler, where more of his tale is revealed.

Mundt has Fiedler and Leamas arrested and tortured. They are both summoned to present their cases to a tribunal convened by the leaders of the East German régime. Leamas reveals a series of secret bank account payments that Fiedler has matched to the movements of Mundt. Fiedler has other evidence that implicates Mundt as being a British agent.

Leamas’s mission falls apart when his lover is brought into the hearing. She reveals that Smiley has paid for the lease on her flat, and that she had promised Leamas that she would not look for him after he disappeared. Realising his cover is blown, Leamas offers to tell all in exchange for her freedom.  Fiedler is arrested.

Mundt unexpectedly helps Leamas and his lover to escape. During their drive to Berlin, Leamas realises and reveals that Mundt must be a double agent reporting to Smiley, and the purpose of his mission must have been to compromise Fielder, probably because he was getting close to exposing Mundt. In the closing action of the book both Leamas and his lover are shot trying to escape from East Germany while climbing over the Berlin Wall. The reasons for their deaths are complicated and I won’t spoil you fun by revealing them here. — A wonderful story that fully evokes a sense of the dangers of the Cold War.

I have since read ‘The Spy Who Came in from the Cold’ and enjoyed the book as much as the audio version. I don’t care much for the film version, however.

So, that’s my le Carré review – he definitely gets 5/5 on the ‘Cloak & Dagger’ scale!

== There’s more about my writing at russellweb.org.uk, @LeeJ_Russell on Twitter

Spies In DC
Spies in DC image CC2.0 from flickr.com (c) Lorie Shaull see https://www.flickr.com/photos/number7cloud/11928350633/

image of “JOHN LE CARRE AT THE BODLEIAN LIBRARY” by ‘summonedbyfells’ on flickr.com – https://www.flickr.com/photos/summonedbyfells/6892145730/  – image tagged as Creative Commons Attribution 2.0 Generic (CC BY 2.0)

“Spies in DC, Information exchange” image by Lorie Shaull from flickr.com
Creative Commons CC BY-SA 2.0 license – see https://creativecommons.org/licenses/by-sa/2.0/
image URL: https://www.flickr.com/photos/number7cloud/11928350633/in/photolist-jb4V4P-jcFWpD-hjApBF-j7h1ti-jeDMSS-5nHVfr

 

 

Thrillers, Espionage and Nietzsche…

I was describing the progress on my latest work-in-progress (the post-Brexit espionage thriller, still untitled) to a colleague last week and stunned myself into silence when I made a connection that I hadn’t seen before…

A few years back I read my way through some of the popular works of the most famous philosophers and came across Nietzsche, of course. I remember clearly the increasing sense of disgust that I felt about his ‘Übermensch / superman’ idea with every turning of the page in ‘Thus Spoke Zarathustra’, despite the fact that logically the central core of it made sense. That reaction to ideas which challenge our morals & ethics goes straight to the heart of philosophy.

Nietzsche

What I didn’t expect was the realisation of how much I must have absorbed Nietzsche’s ideas. In my espionage-thriller the terrorist antagonists’ attitude to life is that they are superior to all other peoples and exist at a level above the control even of nation states. They manipulate global events and kill without mercy, not because they like it (although some of them do) but because it is a normal part of their existence… they believe they are superior and entitled to use that power as they see fit.

Now I’ve consciously made that connection to their background I’m fascinated too see how the writing will now be influenced by it.

The book is about 50% written… so there is still a way to go yet…

Right – where’s that pen?

— If you are interested, you can find out some more about Nietzsche here: https://en.wikipedia.org/wiki/Influence_and_reception_of_Friedrich_Nietzsche

Website spring clean…

I’ve just finished updating my website at http://www.russellweb.org.uk to remove clutter and make my content more accessible.

Capture

I had debated whether to retire the site and replace it with something from WordPress. However, the more I looked at WordPress the more I came to appreciate the way my current site has been tailored to my needs over the past few years. Maintaining my own site manually gives more flexibility than I could find with WP, so in the end I decided to stay with it (accepting that this involves more maintenance work on my part).

I took the opportunity while I was reflecting in this way to refresh the look of my site – I’ve made some good improvements, there is more consistency in the layout and – most importantly – it is more focussed on presenting my content with a minimum of fuss to readers.

Why not come over and take a look at http://www.russellweb.org.uk  ? You’ll find links to my current books, news about my latest project and some free downloads…

#authorlee   #scifi   #amwriting   #free

Thanks to everyone who downloaded a free copy of ‘An End of Beginnings’ during my recent promotion on KDP…

I’ve just enjoyed running a 5-day free promotion for ‘An End of Beginnings’ on Amazon Kindle.

An End~new social media graphic~120616

It is always fun using Facebook groups to engage with readers and I’d like to thank the 51 people who downloaded a copy, I hope you enjoy it 🙂  – it would be nice to get some honest reviews for the book on Amazon afterwards – thanks!

“Smoke Above the Village”

Smoke Above The Village~BurningBMW

I don’t often write poetry but a theme about chav violence wouldn’t leave me alone and eventually this is what emerged:

One
Gratia gratum faciens…
Thomas’ words echo around Æthelberht’s seat,
lost exhortations to the ebb and flow on the
cobbled bridge where frightened witches once wept.
Hollow bodies gabble past the old wet stool,
selfish, replete with base desires, full of pleasures,
while other shadows struggle above this drowning pool,
a barely felt breeze, ignored in equal measure.
Wearing smug smiles or the ingrained grit of pain,
they are where they are
because they have been what they have been.
Nil gratia gratum faciens.

Hissing beneath their feet, the serpent twisting
in the ancient artery smells the disgrace
as these empty vessels jostle without a glance
at lowly souls with hungry bowls, like pigs
scoffling at the trough without a moral base.

Two
Gratia gratis data…
It takes a village to raise a child,
but these wonderful vessels lie on broken stones,
and full of sand, struggle to grow measured and mild.
Caged without and caged within. Wrong place. Wrong time.
Exhaust shrieks from out-sized anuses on their
sham-value cars, silvered rims glinting, boys in their prime.
Harsh jungle beats boom behind darkened windows,
proclaiming hidden threats to make new widows.
Nil gratia gratis data.

Feeling excluded from Established respect,
miserable hearts congeal, anger is spat.
Rejecting the norm, rejecting the old,
their scarred hands grip hard in aggressive holds
of comradely suffering. Cold eyes colour
with angry flames as they watch their village burn,
desiring warmth, angry again after their turn.

Unseen in the scene. Invisible drives equip
remorseless fists with ugly power to hit
and take glory in the power of their strife.
Cold hearts whispering of things to be done,
become visible for their moment, and
Something happens. Someone loses their life.
Feeling yet despised. Feeling yet denied.
Lying there on the street, one of their friends has died.

Screaming with nobody listening, scared for their turn,
feeling safe in their cars while adrenaline burns.
Glaring in pain, the violence insane,
they can’t listen with the transmission set to maim.
If they open their doors and visit tonight,
cower in fright…
they’re in cars.

Three
Achinta!
Those eyes glare one seventh of their hate of survival,
ruthlessly lashing six sevenths against a rival.

Bheda!
In their malebogia no man is made a brute,
but through Nature can become one, when both the mind
and the belly are empty and rage burns in their roots.

Abheda!
We are the same in the differences of our Pride.
Primitive fears scream behind our eyes, a legacy
that thousands of intelligence genes in shame can’t hide.
While we deny the cruel nature of tooth and claw,
deep inside the animal roars.

I saw him sat in the hay, where the sun was shining,
a hazy grey shadow, silent as they stood laughing.
His smouldering coals watching, serenely judging,
waiting, testing me, tense, when suddenly muscles flare,
and in deadly grace shifts, stabbing with a dreadful glare.
Controlled steps reveal his power, like nuclear fission,
restrained, drilling deep into my soul and asking
why we had done this, what was the reason?

We break Cipolla’s Third Law even as we worry
about making machines that obey Asimov’s three.
The number of stupid people is legion, and we
confuse high stupidity with high ability.
There is no art in stupidity, all can do it.
Playing the game of stupidity, we take the hit,
Wondering why our angry children turn against us,
laughing with a grimace, as they stab and rob, and shoot,
and drop their souls into the furnace.

Four
With nothing, devolving, that heroic little monkey
squatting in the trees, telling us there is nothing more
important than education, nothing more to be.
In faith he is judged by the Legion, placing God
as his second, juggling all their lives in his film noir.
‘Et Blair, plus secret, comme en sa tour d’ivoire.’

Consuming in excess, gorging at their scoffling trough,
Privilege eats a caviar and pudding death,
while the dying donkey is clowning on wine and figs.
All the while they have none, like lesser animals, rough.
Their fire must out, and so the village holds it breath,
while outside in the night frightened children burn like twigs.

From one general law we are compelled to multiply,
to vary, to let the strongest live and the weakest die.
But we are no longer the monkey and sing to reason.
For all people there are chances, for all a season.
There is time to be happy, and time to be human,
we can try harder and build that village for our children.